Category Archives: Political Thriller/Espionage

Political Thriller / Espionage – 2nd Titles

Here are the second titles that have been submitted so far for the Adventure fiction subgenres of Political Thriller and Espionage. Please submit yours if you haven’t done so yet! This list is in alphabetical order by author:

A Divided SpyTitle: A Divided Spy (2017)
Author: Charles Cumming
Main Appeal Factors: Inside details about spycraft and international intrigue; complex characters; a classic espionage story updated for contemporary times
Genre: Espionage
Annotation/Thoughts:
Third in the Thomas Kell series by Charles Cumming, A Divided Spy contains some plot spoilers for the first two books, but can be read as a standalone title without difficulty.
Pacing is fast in that most of the action of the book takes place over a short period of time, but there is a fair amount of character development and backstory, as well, which, while adding depth to the book, makes parts of the book proceed at a slower pace than a reader looking for a non-stop action thriller might want.
The main character, Thomas Kell, is a disillusioned former spy who — although he has left MI6 (England’s Secret Intelligence Service — is still seeking answers from (and revenge on) the Russian agent he blames for the death of another agent. The storyline is centered at first around Kell’s quest as he gets wind of his quarry, but escalates quickly from personal concerns to national security as Kell wonders if he’s playing or being played by his opposite number, the charismatic Russian agent, Alexander Minasian. Tone is dark, in classic espionage style. The language is rich with both spy jargon and literary references; the main characters are well educated and extremely good at what they do. Various cities in different countries serve as the setting, but the frame is England and its intelligence service. Readers will learn a lot about what constitutes good “spycraft” while enjoying an exciting and suspenseful contemporary tale of espionage.
Definitely would suggest Charles Cumming to readers who like John Le Carré.

The Freedom BrokerTitle: Freedom Broker
Author: K.J. Howe
Main Appeal Factors: worldwide, terrorists, non-stop
Genre:
Political Thriller
Annotation/Thoughts:
First in Kidnap-and-Ransom Thriller series.
Main character, Thea, is a kidnap victim rescuer for a firm that specializes in kidnappings for money by terrorist groups. Very up-to-date issues including China trying to take control of African countries.
Pacing: breakneck: starts with tense scene in jungle, has a break, and then jumps right into a kidnapping
Characterization: main character has elaborate backstory as well as type 1 diabetes. All the characters are complex. Told from multiple narrators.
Story Line: action oriented and plot twists
Frame and Tone: detailed settings, all over the world.
Style: straightforward with just enough description for the setting without slowing down the action.

The SIngularity RaceTitle: The Singularity Race
Author: Mark de Castrique
Main Appeal Factors: AI, Secret Service, computers
Genre:
Political Thriller
Annotation/Thoughts: 
Artificial Intelligence has been in the news a lot frequently, with dire warnings about how the Chinese look to be outrunning us in the race to come up with AI that can think better than humans. This book uses AI as the “weapon” and our hero, Rusty Mullins, is racing to stop a computer from taking over the US infrastructure and indeed the whole world. The technology isn’t the focus so much as the human relationships and basic spy work. As such this book works really well as an adventure fiction/thriller. It certainly was hard to put down. So far there only seem to be two books (this is the 2nd) in the series, so it may just be a two-book set. I haven’t read any of de Castrique’s other books.

Pace: page-turner; starts with a kidnapping/murder and goes to terrorist attack
Characterization: Main character has a backstory, good family life and friends, but is still a “hero” with lots of skills as a former secret service man; Some romance; side characters not fully developed
Story Line: very timely; AI is a weapon.
Frame and tone: While there is some points of view of other people, most of the story is told from the hero’s point of view.
Style: straight-forward, but with emotions involved. Descriptions are minimal.

World at NightTitle: The World at Night (1996)
Author: Alan Furst
Main Appeal Factors: Setting (Paris 1940-41), Mood (dark), Storyline
Genre:
Political Thriller/Espionage
Annotation/Thoughts:
The World War II time period as well as Paris, France were the initial appeal factors for me. The protagonist, Jean-Claude Casson is a film producer who lives in the 16th Arrondisement, which was and still is swanky and just west of the Seine. The book is written in 3rd person through the eyes of Casson. The book opens on the day that the Germans prepare to march into France. Casson is called up to enlist as a film maker but his days in the army are short lived as the Germans invade France and take over Paris in a very short period of time. When Casson returns to Paris a couple of months later, the city seems ghostlike. With the shortages in food, electricity and heat, Casson needs to find work and his lawyer advises him to continue on as a film maker. Casson is eventually hired by a German production company. As he starts pulling together the makings of a film with a woman he loves as the star, he is asked by the Germans to do some work for them and then asked by the resistance to also work for them. Although I was confused by the seemingly large number of characters, the pacing moved along. The book has nine chapters, and breaks between the text on almost every page. Casson as well as a couple of other characters are well developed and the City of Paris is also like a character. The mood is dark and gets darker as the book goes on, as does the action which builds towards the end of the book.
Fourth in Night Soldiers series.

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Adventure Genre Discussion – Political Thrillers & Espionage

Political Thrillers & Espionage

Camel ClubThe Southeastern Mass. Reader’s Advisory Roundtable (SE-RART) met Tuesday, April 3, at the John Curtis Free Library to discuss two subgenres of Adventure: Political Thrillers and Espionage.

The benchmark title was The Camel Club by David Baldacci, first in a five-book series featuring Oliver Stone.

We talked about the following supplemental readings, focusing on key elements and appeal factors for Political Thrillers and Espionage:

  • Hannon, Michael. Blood, Bedlam, Bullets, and Bad Guys. Chapter 1, pp. 1-2
  • Hannon, Michael. Blood, Bedlam, Bullets, and Bad Guys. Chapter 9, pp. 185-86
  • McArdle, Megan M. The Readers’ Advisory Guide to Genre Blends, pp. xix-3}
  • Saricks, Joyce. The Readers’ Advisory Guide to Genre Fiction, 2nd ed., pp. 71-87

Key elements

Political Thrillers

  • Often convoluted, plot involves the government and secrets worth killing for
  • Pacing is fast, compelling; storyline often cinematic
  • Identifiable hero, usually a strong, handsome, and an extremely capable leader

Espionage

  • Plots usually center around international espionage activities, secrecy
  • Often feature exotic locales and/or have dark, mysterious tone/atmosphere
  • Traditional/classic spy novels may appeal to intellect as well as adrenaline readers

“The size and diversity of the Thriller genre make it difficult to define in a straightforward fashion. Basically this genre focuses on a particular profession – espionage, medicine, or the law, for example – and tells an action-packed story that reveals the intricacies of that profession and the potential dangers faced by those involved in it. The details supplied, their authenticity and their scope, are key to reader satisfaction. Although important to a good story, the character of the hero is generally secondary to the action and detail. Readers can easily distinguish the good from the bad among these stereotypical characters”   – Joyce Saricks, The Readers’ Advisory Guide to Genre Fiction, 2nd ed. (Chapter 5: Thrillers)

We talked about whether historical adventure had to be about war, and decided that, although it often may be set during times of war, it didn’t need to be, but there needed to be some sort of danger, a visible enemy, and some amount of fighting involved.

We discussed The Camel Club by David Baldacci, our benchmark title, in reader’s advisory terms:

  • Stakes are high for hero (ensemble) – life and death
  • Frame of Washington, DC and environs, adds to sense of realism
  • Storyline cinematic, premise plausible enough to make sense
  • Camel Club characters are quirky outsiders, on the fringe
  • Terrorist characters given some backstory and nuance, but still bad guys
  • Clues are given, but reader knows more than main characters (suspense)
  • Ends justify the means – common theme in Adventure fiction
  • Characters are developed for series, two strong women characters

Second titles will be posted soon; it’s OK to submit yours still, if you forgot!

Second titles we learned about in terms of reader’s advisory appeal factors – frame, tone, pacing, plot/storyline, characters – included a female adventure author we didn’t have on our earlier list – K. J. Howe:

The Freedom Broker by K.J. Howe
The World at Night by Alan Furst
A Hero of France by Alan Furst
Eye of the Needle by Ken Follett
A Divided Spy by Charles Cumming
Pursuit of Honor by Vince Flynn
The Singularity Race by Mark de Castrique

Please register online for the Thursday, June 14th meeting, 10am-12pm, at the Queset House (beside the Ames Free Library) in Easton to talk about Military Thrillers and Nonfiction Adventure. The benchmark title will be Ice Station by Matthew Reilly.

New members are always welcome to jump in at any point in the year, even the very last meeting of the 2017-18 season. We will also discuss possible genres for next year’s genre study, so feel free to bring or send your input!

By the way, the next RUSA Codes Convo is on Tuesday, April 24. It’s a LOT of email in one day, but there’s usually a ton of useful RA tips shared:

CODES Conversations: RA 101
April 24, 2018 10am-6pm EST
What are the key ideas, practices and sources everyone should be learning
about as they begin to do readers’ advisory work? Join us and special guest
moderators Joyce Saricks and Neal Wyatt and bring your questions, suggestions
and advice!

CODES Conversations are focused electronic conversations on issues facing
collection development and readers’ advisory librarians—or anyone interested
in those areas. The conversations are open to all who wish to participate (or
lurk)!

More info

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